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One must travel way, way, way down the box office results list if one wishes to find unique voices and novel ideas. I have no idea why we felt the need to watch Deathly Hallows, Part 2 unprompted, but we sure did! And it was long and boring and dim.
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On top of that, I had met my wife-to-be, so I was floating among the clouds, with no time to waste on crummy franchises. I was pretty out of it in 2011, having moved to a new city, left a long relationship, and everything else recounted in the 2010 installment. I have not watched #s 4,5,6, or 7, and will never. I’ve watched some of these movies, but the only one that I saw at the time was the Harry Potter movie, of all things.
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And then a sop is thrown to the rest of us in the form of one or two raunchy comedies, and that dang French film snuck into the top grossers of the year (it was massive, worldwide it didn’t crack ten mil in the US), no doubt ruining the day of some American exec. The platonic ideal of modern tentpole moviemaking where every movie is an action-adjacent, safely-established intellectual property, rated PG-13, and is an installment in a drip campaign directed at children, teens, parents, and grandparents. Numbers 11 through 20 are: Shrek spinoff Sherlock sequel children’s movie about a bird Planet of the Apes sequel Marvel movie 4 out of 26 and counting an uplifting French dramedy (the only original film in the top 20) an adaptation of a children’s comic Marvel movie 5 out of 26 and counting X-Men movie 5 out of at least 13 and the third Chipmunks movie out of four. First film out of three (and counting).Second film out of three (and counting).Fourth film out of seven (and counting).Fourth film out of five (and counting).Just look at this list (screenshot via Wikipedia, data via Box Office Mojo): Is 2011 the most creatively bankrupt year of all time for US theatrical releases? I believe so.